![The Bee Gees - Talks family, fame & loss! [TV Interview 1993] [RARE]](https://i.ytimg.com/vi/-yVldXHpHgg/maxresdefault.jpg)
Introduction:
In a rare and intimate interview filmed in 1993 during the release of their album Size Isn’t Everything, the Gibb brothers—Barry, Robin, and Maurice—open up with remarkable honesty. Reflecting on their three-decade journey in music, they discuss creativity, personal loss, and the price of fame, offering a powerful look behind the polished legend of the Bee Gees.
The trio begins by sharing the creative vision behind Paying the Price of Love, a visually ambitious music video that marked a new chapter in their artistry. Wanting something “groundbreaking,” they embraced a cinematic, highly produced direction—an evolution beyond their usual focus on music alone. Yet the title of the song naturally leads to a deeper question: What does it mean to “pay the price of love” after 30 years in show business? Their answer is sobering.![The Bee Gees - Talks family, fame & loss! [TV Interview 1993] [RARE] - YouTube](https://i.ytimg.com/vi/xYS6_aVCEG0/hq720.jpg?sqp=-oaymwEhCK4FEIIDSFryq4qpAxMIARUAAAAAGAElAADIQj0AgKJD&rs=AOn4CLBlE9IJG4gCOcfEIqXuyFDNDNC19Q)
The Bee Gees speak openly about sacrifice. Barry reflects on how his first marriage was undone by the pressures of fame, though he remains grateful for the children it gave him. The conversation soon moves to the loss of their younger brother Andy, who passed away in 1988 at just 30 years old. “It’s a price he paid,” Robin says quietly, “but it’s also a price we paid.” The emotional weight is compounded by the passing of their father a year earlier—losses the brothers feel are deeply connected.
Despite these hardships, the Bee Gees have largely avoided the scandal-driven spotlight of tabloids. “We’re not that type of act,” they insist, noting that fabricated stories sell papers far more easily than truth. Their lives, they explain, have always been rooted in family values—and nowhere is that more evident than in their dedication of “Blue Island” to the children affected by the war in former Yugoslavia. Written as a message of hope, the song imagines heaven as a peaceful “blue island,” a comforting vision for children trapped in conflict. Though they cannot physically reach those in danger, the brothers believe in raising awareness and advocating for their safety.
The interview also revisits their touring years, their multicultural identity, and the unique chemistry they share on stage. Maurice describes their dynamic as equal parts fun, perfectionism, and unspoken understanding—enough to sense when Barry was silently suffering from back pain but refusing to let the audience down.
They also dive into the evolution of their sound, from Barry’s iconic falsetto—born spontaneously during the recording of “Nights on Broadway”—to the playful reinvention of “You Should Be Dancing” as “Deca Dance.” Even after 30 albums, the Bee Gees insist their identity remains unmistakably theirs. Size Isn’t Everything, they say, is an album made simply for the joy of creating music—unburdened, unforced, and rich with influences from artists they admire.
Ultimately, this interview reveals the Bee Gees not just as icons, but as brothers—joyful, wounded, resilient, and profoundly human. Their legacy, built on harmony both musical and personal, continues to resonate far beyond the era that first made them famous.