Tom Jones – “Witch Queen Of New Orleans”

Witch Queen of New Orleans / Kiss an Angel Good Morning by Tom Jones (Single; Decca; 84.071): Reviews, Ratings, Credits, Song list - Rate Your Music

Introduction:

In the grand tapestry of popular music, there exist certain threads that, while perhaps not the most celebrated, are woven with a unique and compelling artistry. They are the pieces that, upon closer inspection, reveal a depth and character often overlooked in the rush for chart-topping anthems. Among these is a particular gem from the inimitable Tom Jones, a track that stands as a testament to his remarkable versatility and enduring power as a vocalist. I speak, of course, of “Witch Queen Of New Orleans”, a song that invites us not just to listen, but to journey into a world of bayou folklore, mystical allure, and raw, unrestrained musicality.

Released in 1971, during a period when Jones was actively exploring a wider range of sounds beyond the bombastic pop-soul that had defined his early career, this song is a masterclass in atmosphere. It’s a departure from the polished, Las Vegas showman persona, and instead presents a more rugged, roots-oriented side of the Welsh powerhouse. The track, originally a hit for the rock band Redbone, is re-imagined by Jones with a swagger that is both earthy and ethereal. It’s a performance that feels less like a cover and more like a reclamation, as if the song were always meant to be delivered through his powerful lungs.

The introduction of “Witch Queen Of New Orleans” is a slow, simmering affair. The bassline, a deep, resonant pulse, lays the foundation for a sonic landscape that is both haunting and hypnotic. As the rhythm section builds, subtle guitar licks and keyboard flourishes enter the fray, evoking images of Spanish moss-draped oaks and the humid, twilight air of Louisiana. This isn’t the bustling Bourbon Street of tourist brochures; this is the New Orleans of myth and legend, a place where ancient traditions and a certain spiritual energy linger just beneath the surface. It’s a setting perfectly suited to Jones’ voice, which here is not a blaring trumpet but a soulful, resonant instrument, capable of both a low growl and a soaring, impassioned plea.

Jones’ interpretation of the lyrics is what truly sets this version apart. He doesn’t merely sing about the “Witch Queen Of New Orleans”; he embodies the awe and reverence of someone who has encountered her power firsthand. There is a sense of mystery and respectful distance in his delivery. He paints a picture of a figure of immense influence and spiritual authority, a woman who holds sway over the natural world and the hearts of men with an almost supernatural grace. It’s a narrative that speaks to the power of a formidable presence, someone who commands respect not through force, but through an intrinsic, deep-seated authority.

In a musical landscape often dominated by fleeting trends and superficial spectacle, this song stands as a powerful reminder of the enduring quality of a well-crafted song and a truly great performance. It is a work of artistry that deserves to be revisited and appreciated for its intricate details and profound emotional resonance. So, let us turn our ears back to this masterful recording and allow ourselves to be carried away by its spell, to rediscover the magic and the mystery that lie at the heart of Tom Jones’ extraordinary take on “Witch Queen Of New Orleans”. It’s more than just a song; it’s a timeless story told by one of the greatest storytellers in modern music.

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